Margie Dana
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printing industry and its customers.
Print Standards: Why You Should Care
Today's Tip is by local
prepress consultant Ron Ellis. Ron is also a GRACoL-Certified Expert, and since
Boston Print Buyers is hosting two events this week on GRACoL, I thought this
topic was particularly relevant.
The mention of print standards is enough to make most
of us yawn, but there are important reasons to care about them. Many of us
accept the proof that the printer gives us, and because of the proof, lock the
jobs into specific printing plants and print conditions.
Print standards give us the freedom to define what
the jobs should look and proof like upfront. Standards break the restriction
tying us only to the plant or printer that generates the proof. This puts you
in control instead of the printer.
The idea of standards is simple, and has been in our
industry for a long time. With a standard such as GRACoL (a commercial print
standard), you can design the job using a working space that is already present
in your Adobe applications. This means you can have a reasonable idea of how
the job will look and print before you even hand it to the printer as
long as you hand it to a printer who can match the GRACoL standards. Many
agencies and print buyers are switching from their older standards (such as the
color produced by a proprietary proofing system) to print standards such as
GRACoL or SWOP.
One agency who has made the switch is Hill Holiday.
The Hill Holiday Digital Imaging Group creates high-resolution artwork and
images as well as proofs that are then sent to printers and publications across
the country.
At the Hill Holliday Digital Imaging group, one
particular file can be sent to dozens of different printers, explains
Allan Woolwine, Vice President of Digital Imaging for Hill Holiday. We
have no in-house presses, therefore we decided to match our contract proofs to
the SWOP standard when doing magazine ads. The total ink densities and the
maximum shadow and highlight densities conform nicely to the requirements of
most publications. This is a standard everyone can hit, no matter how many
presses it is being printed on. For commercial sheet fed presses we match our
proofs to the GRACoL standard, where the densities can be a little higher and
the shadows a little darker. That way we know our files can be reproduced on
many different presses."
Print standards are a valuable tool you can use to
produce better quality work, and to help you create work that many vendors will
be able to print. The fact that Adobe applications have these print standards
built in makes it easy to see the results upfront during the creative process
before it is too late. By using print standards we can optimize our work for
the appropriate printing platform and achieve better results.
Ron Ellis is a New
England-based consultant specializing in color management, workflow training,
and prepress integration. He is a GRACoL-Certified Expert who covers a wide
range of proofing systems, rips, and workflow techniques. Ron is published
frequently in PIA-affiliated magazines and has produced training materials for
numerous printing vendors. Reach him at 603-498-4553 or through his web site at
www.ronellisconsulting.com.
©2006 Ron Ellis. All rights reserved.
You're free to forward this email to friends and colleagues: please do! However, no
part of this column may be reprinted without permission from the author.
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Want to learn more about print standards and how you
can implement them? Consider attending the Boston Print Buyers Dinner
Program on June 14th, if you're a print customer. If you're a print provider or
other manufacturer, BPB is hosting a GRACoL breakfast session on June 15th.
Details on both events are at
www.bostonprintbuyers.com.
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Upcoming Boston Print Buyers Event - June 14th
The Revolution in Printing & Proofing
Registration is open for our
June 14th dinner program, sponsored by
Eastman Kodak and
Integrated Color Solutions,
Inc.
Read more and Register online
| When: |
Wednesday, June 14th, 6 - 8:30 pm |
| Where: |
Millennium Bostonian Hotel, Boston, MA |
| What: |
Cocktails, networking, dinner, program and a trivia
contest. |
| Cost: |
$20 for Members; $50 for Nonmembers |
Boston Print Buyers presents a very special June
event. A panel of experts will enlighten us about new methodologies that
help ensure color fidelity in your printed products.
Why Should
Buyers Care About GRACoL?
Listen to prepress consultant Ron Ellis:
"GRACoL 7 is a popular standard that will help you
deliver high-quality jobs that can be printed by a number of print vendors.
GRACoL 7 helps you see what you'll get during the creative process and helps
you deliver the final result through use of GRACoL-certified printers. Remove
the unknown, improve your quality, and find printers who can deliver for you
with GRACoL 7."
Bottom line?
Improve your quality and expand
your choice of vendors with GRACoL 7.
Our panel
includes:
-
Nick
Patrissi - Moderator, Senior Manager Marketing Customer Development,
Graphic Communications Group, Eastman Kodak.
-
John
Dunn, Corporate Accounts Group Production Director,XPEDX.
-
Gerald
Gerlach, Integrity Graphics; co-chair of GRACol.
-
Dianne
Kennedy, Vice President, Publishing Technologies,
IDEAlliance.
-
Michele
Laird-Williams, Director of Print Media,
Kodak's Graphic
Communications Group.
-
John P.
Sweeney, Vice President, Sales and Marketing,
Integrated Color Solutions,
Inc.
For program details, the bios of our impressive panel
and to register, visit
our event page.
Special Guests from China: a delegation of senior
print executives from China will be in attendance.

June
15th Breakfast Meeting in Boston for Printers
GRACoL 7 - Intro and Tutorial
Experts Gerry Gerlach (Co-Chair of GRACoL), Dianne
Kennedy (IDEAlliance) and John Sweeney (ICS) will present a two-hour session on
GRACoL 7 for printers and other manufacturers on Thursday, June 15th, in
Boston, MA. Visit
our event page for more information and to register.
Details:
9 - 11 am at the Millennium Bostonian Hotel in Boston
(parking is available, plus it's accessible by public transportation). The fee
is $50 for the program and a continental breakfast.
Preregister
now.
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Contributor
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Opportunities:
New position listed for Creative Services
Supervisor for the John Hancock Funds in Boston.
-
Creative Services Supervisor for John
Hancock, Boston, MA
-
Color Coordinator for Appleseed's in
Beverly, MA.
-
Graphic Design Project Manager for tpg
creative in Boston, MA.
Visit our
Job
Bank for details.
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Boston Print Buyers can post jobs for Free!
